Tag: The Classic Crime

Top 20 Christian Albums of the Decade: 2010-2019

The Top 20 Christian Albums of the Decade

Jonathan Faulkner

After I left ARLCMG in 2013 it is true that I have not been as up to date on the Christian Music Scene outside of the bands I regularly listen too. That is not to say I do not still get updates and am not still on the mailing lists for several of my old music industry contacts. I still get their pre-releases and have even occasionally released reviews of various albums. Still, I want to post a top 20 of the decades (and some honorable mentions) because this has actually been a great decade for Christian Music across the spectrum. In fact, from Lecrae, to Third Day, to Demon Hunter to Thousand Foot Krutch to Tenth Avenue North, and across all sorts of genres from Ska to Metal to CCM to Rap, it has been an incredible decade. So let’s lay out the criterion, or dust it off as it were, for what makes an album worthy of a top 20 list, or even for a top review.

  1. It must have staying power: It must be one you come back and listen to over and over
  2. It must show the creativity of the band: No cookie cutter albums here
  3. It must be relevant to the times: This is the hardest category
  4. It must have clear Christian themes and messages: Like, from the Bible.

So, with these in mind, let’s start working through our top 20 of the Decade. They are listed as Album, Title, Year.

Honorable Mentions: “I Quit Church” Matt & Toby, “Love Letter Killshot” Disciple, “Come In” Children 18:3, “The Things We’ve Been To Afraid to Say” Tenth Avenue North, “The Mountaintop” The City Harmonic, “Good News” Rend Collective

20. Between Pavement and Stars, Five Iron Frenzy, 2015: This EP really makes the list for one reason, it is the only time in Christian Music when an artist has properly addressed the problems with Westboro Baptist. Well…that’s not the only reason, but “God Hates Flags” is one of the few songs of the decade that tries to deal both in grace and truthfulness with the so-called church in Topeka. Every song on this EP except for the fun “To Astoria!” addresses some issue of the culture which they have seen in abundance at their church in Denver called “Scum of the Earth Church.”

19. Blacklight, Tedashi, 2011: One of the many albums I reviewed at ARL still makes its way into my CD player (an old music listening device) today. The album has not only increased in relevance as times have changed, “Burn This House Down” feels more relevant than it did when it came out as Tedashi and other Christian Rappers both Black and White have moved away from cultural Evangelicalims/Christianity. This album is a work of art from start to finish with few exceptions (there is actually only one), the more you listen the more you learn.

18. How to be Human, The Classic Crime, 2017: Some might be surprised to find this album here given that it actually moves away from American Christian Orthodoxy, but in this case, that is a good thing as the band wrestles with their move away from simple faith to one of people questioning faith and even questioning all that they’ve been told. This is relevant for the same reason Matt and Toby’s “I Quit Church” is, it reflects the feelings and thoughts of the current generation. Helping us better understand the culture into which we are ministering. Authors note:“I Quit Church” is an honorable mention.

17. Extremist, Demon Hunter, 2014: There have been six Demon Hunter albums between 2010 and 2019 and two of them make this list. “Extremist” first because it addresses Christian Music’s tendency towards easy, irrelevant answers that point people to conventional, feel good, wisdom, not the truth of the Gospel. It starts with out “Artificial Light” and ends with the natural resting place of worldly wisdom: “The Heart of a Graveyard.” It addresses our modern religious western Pharisaic (“Cross to Bear”) and shows the bands ability to transition their sound while staying true to what makes them Demon Hunter.

16, Neon Steeple, Crowder, 2014: Another artist with two albums making this list is Crowder. I am not sure any of us expected such a solid first outing from the man once he left The David Crowder Band, and yet, here we are with two. Crowder shows he is not just a pawn on the industry, that he can speak to issues within the Christian Community. He does so in a way that points us to Christ and to the Scriptures. Something sorely missing in CCM today.

15. Inland, Jars of Clay, 2013: Can you believe this is the only Jars Album to come out this decade? It just confirms I am pushing 30…. Anyway…. Jars of Clay was known for their relevancy and Inland does not disappoint. From “After the Fight” to “Loneliness and Alcohol” which addresses our cultures isolation and alcoholism to the haunting “Human Race” and the need for a “Reckless Forgiver” This album speaks into the darkness and dissolution of our lives in ways lost on much of CCM.

14. American Prodigal, Crowder, 2016: There are certain albums you start to listen to and realize you need to wait because by the end you are going to be crying. This was one of them, and if you got the Deluxe Edition, well you were probably crying even harder when “Praise the Lord” came on and you realized that all your cultural Christianity had failed you. For Crowder this album seems like an unworking of all he worked to build, his next album feels more so, but this one knocks down the foundations to take us “Back to the Garden” when Christian Music was good and God was the focus. This album challenged Christian Music’s fundamental assertions and for that it did not get quite the credit it deserves.

13. You Were Never Alone, Emery, 2015: It’s hard to think of a band more accomplished in the last decade than Emery or a musician more accomplished then Toby Morrell who has gone unnoticed by the wider market. The first independent record from Emery was quite a showing and in true Emery style, completely different than what they had ever done before. “Rock, Pebel, Stone” was probably one of the best songs of the decade, as were “Thrash” and “To The Deep.” I should pause here and say that a lot of bands could learn from Emery’s business model. I have never been part of a community of fans were the artists connect better and address topics better than the BadChristian brand does. Forget Christian music learning something from this, the Church as a whole should.

12. Blurryface, Twenty-One Pilots, 2015: From one of the most underappreciated bands of the decade, to one of the two most appreciated. I had to catch myself one day recently when I almost referred to Twenty-One Pilots as a “new phenomenon.” I forgot that they have been around for over 10 years now and have only grown in popularity. Blurryface, a record about the artists inner mental health struggle and sins speaks to our generation in a way we understand and can identify with while seeking to point us to God, even when we feel He is absent.

11. Move, Third Day, 2010: This wasn’t the best Third Day Album of their long and historic career, but it was the best of the decade and deserves a spot on this list, it also holds the distinction of being the only album from 2010 on the list. This was a return to Third Day’s Southern Rock roots which made them famous. Yet it showed they could blend their propensity for worship with scripture-based encouragement. Oh and the beginning of “Lift Up Your Face” still grabs my attention and kind gives me chills, ten years later. Third Day may be gone, but their music is not forgotten.

10. Until We Have Faces, Red, 2011: Back in the day I stood in the front row and covered the Redvolution Tour with TFK, Manafest, Kiros and Nine Lashes. RED’s “The Machine” still stands out in my mind as the greatest stage prop I have ever seen and whenever I listen to this album now I still see that thing, I mean, it was incredible. That being said, of all the RED albums released this decade (5), and I know some will disagree, it was probably the best of them all in regard to message and cohesiveness. It also became the launching point for the next two or three albums. It was also the best balance (in this decade) of RED’s incredible rock and string arrangements.

9. Mansion, NF, 2015: Has it really been four years since a friend popped this album into the car CD player on our way to a “The Classic Crime” concert in Wichita? Or better question, has it really been an album a year since then? The first album by NF is the album that launched the career of one of the greatest wordslingers the world has ever seen (yes, he is better than M&M). I know a lot of parents complain about NF and his music, but maybe they should be asking why their kids identify so completely with the songs he is writing on everything from depression to trauma to the fallout of the Opioid Crisis. Mansion started a journey for Nate’s fans, and we all feel we have grown with him on this journey.

8. Anomaly, Lecrea, 2014: I have jokingly referred to this album as the one that woke up the “Gospel Coalition” but as one who has sat at the feet and learned from people like Lecrae Anomaly only shows how much more we have to learn, and that is okay. The weightiness of the issues discussed on this album are issues we need to make a greater effort to discuss and talk about with biblical truth and love in mind.

7. Long Live the Rebels, Disciple, 2016: Disciple has been making scripturally based, relevant music since creation…or so it seems…and their new role as an independent artist has only made them more so. Not only that, but they have become the epitome of Christian Rock bands, that is, all the veterans of the industry have played with them or been a part of them. Just when you think they are done, they come back with another one. That is the case with LLR, it shows again their staying power and ability to move seamlessly between themes while incorporating new sounds into a tested and true formula that keeps them relevant and on top.

6. Cathedrals, Tenth Avenue North, 2014: Maybe worthy of a top 5, but coming in here at number six is Tenth Avenue North’s 2014 outing “Cathedrals” which began the move towards albums with more relevant content rather than just the fun “Uplifting and Encouraging” anthems that made them famous. Songs like: “We Won’t Number the Pain and “For Those Who Can’t Speak” which features one of our top 5 artists, helped CCM gain back a small amount of relevance on modern social issues while addressing them in a gospel centric way. We need a lot more of that and Tenth Avenue is heading in the right direction, especially with their brave follow up EP that came out this year “The Things We’ve Been Afraid to Say” which was is among the honorable mentions.

5. The End is Where We Begin, Thousand Foot Krutch, 2012: I know, I get flack all the time about my bias towards the Canadian Rockers, but I really think that TFK’s reinvention as they moved from Label to Independent deserves to be here. Especially since they continued a trend of Christian Artists going independent and then releasing the best music of their careers. The fact that this album thrust TFK back into the spotlight and headlining tours again only makes it more important. The entire premise of the album, that we end before the throne of God and also begin their as new creatures, is profound in a world desperately trying to be somebody relevant even though Christ bids us to come and die. The album also shows that TFK’s reinvention was really a rediscovery of the very style that made them famous. Rawk on guys!

4. True Defiance, Demon Hunter, 2012: I do not think this album would have been here if I had not been listening to it a few weeks ago (by the way I reviewed this when it came out and did not catch this) and realized how cohesive the theme is from “Crucifix” to “I Am A Stone” the haunting ballad that closes the deluxe edition. The True Defiance Demon Hunter talked about in their return to “true metal” was the defiance of the Cross, yet we are defiant when we blaspheme the cross by continuing to live as if the Crucifixion did not happen. We mock Christ and Christ’s work when we continue in sin. The end result of a lifelong rebellion of the person who claims Christ is “A stone, unaffected, rain hell down onto me” a person worthy of judgment because they have claimed Christ and His cross but not been changed by it. This is theologically powerful, and it only makes the album more powerful once one picks this up. This is interestingly enough part of the message of 1 John 1:5-10, go look it, and this album, up.

3. Today We Rebel, KB, 2017: While one could maybe argue that Tedashi, Lecrea and NF have a bigger share of the spotlight than KB, this list isn’t about the number of albums sold alone, nor is it about how many awards the album or artist won. But about how the album has impacted the Christian Music Scene and how relevant the album is. KB may not have sold the albums the other rappers or artists on this list did, but Today We Rebel, with its stinging critique of White Evangelicalism (“New Portrait”) to the haunting and honest (“Art of Hope”) to the anthems for the rebellious against the world and the status quo, especially the quo of white-nationalism, like kB (“Rebel, Rebel 88”) This is an album worthy of a deep listen and its themes worthy of deep consideration by those outside of KB’s traditional listener base.

2. Resurrection Letters Vol 1, Andrew Peterson, 2018: When I worked at ARL I was not allowed to give a perfect rating, but if there were albums in the top 20 of the year that would have earned perfect ratings, the top three on this list would have perfect ratings, were I allowed to give them. That being said, Andrew Peterson is CCM’s best kept secret, and when I say that I mean you have undoubtedly by now heard “Is He Worthy” sung by Chris Tomlin or Shane and Shane and not know that the song originated on this album. Not only that, the album brings out the fullness of the resurrection and all its implications for Christianity both historically and in our present times. Have you ever considered what happened at the time Jesus awoke from the dead? The full implications? Andrew Peterson has, and its entrenched here in just under an hour of music.

1. On the Altar of Love, Downhere, 2012: Like Jars of Clay’s Who We Are Instead in the late 2000’s every decade there is an album that qualifies as an absolute gem. As in, yes it deserves a perfect rating and it often ends up being the one that the radio stations overlooked. Downhere’s “On the Altar of Love” is one such album, musically, message-wise, this is one of those albums that though under considered at the time of its release, gets better with every listen and though it did not produce a hit, it holds a special place in the Downhere fanbase

 

So, there you have it, the top 20 albums of the decade, you may disagree with my placements and choices, but you’re allowed to do this, it’s a non-essential issue. Still I hope you will give these albums a fair listen if you have not already, they are worth the time and energy you can put into them. Now, if you’re not a fan of some of these genre’s that okay too, I have extremely eclectic music tastes, I own that, just enjoy what you enjoy and we will maintain the bond of peace and the spirit of unity.

Christian Music can have a bright future, provided we listen to the people who God has given a voice too. Here is to another decade of great music!

 

Jonathan D12973040_10154269785339245_3845786340930956602_oavid Faulkner is a Graduate of Gordon-Conwell Theological Seminary holding Masters in Divinity and Church History, a Pastor, Musician and Writer. He holds a Bachelor’s Degree in Christian Education & Administration with a concentration in Urban Ministry. He lives with his wife Rachel and daughter Erin in Buffalo Center Iowa and seeks to be a part of the project of reconciliation in the local and international church. He is currently serving as the Pastor of First Congregational Church of Buffalo Center.